Suffering for your art is one thing but freelance artists on variable, unpredictable incomes are finding the current situation unbearably bleak.

The theatre community is finding inventive new ways of bringing live performance into people’s homes, like Big Telly’s madcap green screen journey back to ancient mythology.

Lyn Gardner asks, ” What is theatre’s most precious resource?” and answers it in a probing article in The Stage.

Tennessee Williams’s early masterpiece is brought heartbreakingly to life by a remarkable central performance by one of the great actors of our day.

An ancient Irish tale of love, lost and found, and the transformation of a young girl into a butterfly are given new life in this fusion of words, dance and illustration.

Fondant colours, off-beam characterisations and gentle satire make for a crowd-pleasing version of the Jane Austin classic.

A long overdue revival of a pithy Northern Ireland play is receiving positive attention from London critics and audiences.

B-words abound in Maiden Voyage Dance’s newly commissioned Double Bill – boundaries, borders, belonging, brinkmanship and, of course, Brexit.

Northern Ireland Opera and Lyric Theatre’s new co-production of Cole Porter’s evergreen adaptation of Shakespeare’s troublesome play The Taming of the Shrew does not paper over the misogyny but is a glossy, pleasingly rounded piece of work.

This daring reworking of Shakespeare’s magisterial tragedy focuses on a family of women dealing with the mental and moral disintegration of the head of the household.